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    The Grand Marquis have that classic, timeless 'straight-from-the-Kansas City-speakeasy' sound while injecting a vibrant relevance into their brand of hot swinging jazz & jumping blues. Versatile and buoyant, distinct and refreshing - a rhythm cocktail served by masterful musical mixologists.

    The Grand Marquis' music can bring to mind a variety of settings and places as well: Prohibition-era KC, the streets of New Orleans, 1950's Memphis and even 1930's Paris. But their sound remains grounded in a roots influence that keeps inspiring the Grand Marquis to create, innovate and build off a solid foundation of American music. Theirs is a style that defies the limitations of category, whether jazz, blues or swing, yet finds favor with a wide audience culturally, demographically and intergenerationally.


    Bryan Redmond     lead vocals; soprano, alto, tenor & baritone saxophones


    Although he's been in Kansas City for several years, Bryan hasn't strayed too far from his west Tennessee roots. He has been playing saxophone since grade school, singing in gospel groups at church and studying locally at UMKC before emerging on the Kansas City music scene in the mid-1990's. His distinct solid, clarion baritone voice is equally at ease shouting the blues or crooning a mellow ballad. He captures the essence and the soul of roots music while melodically spinning tales. Wielding a myriad of saxes, he can unleash a soulful, dynamic approach and rough, dark tone that hearkens back to the days of roadhouses and juke joints or paint from a softer shaded palette with ease.

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    Chad Boydston     trumpet, backing vocals

    Chad made his way here from Iowa where they have been growing trumpet players since Bix Biederbecke. A University of Northern Iowa alum, he has rubbed elbows with some greats, including Wynton Marsalis. His father plays trumpet as well, and passed on his talent to Chad. Influenced by Louis Armstrong, Bix and Clifford Brown, Chad’s powerful sound blended with his virtuosic technique is a force to be reckoned with.

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    Ryan Wurtz     guitar

    A Topeka, Kansas native, Ryan made his way to Kansas City, graduating from the Conservatory of Music at UMKC under the direction of Bobby Watson. He studied jazz under RodFleeman, Danny Embrey, and Hal Melia while rocking out in local bands including Blackout Gorgeous and Archetype. His captivating, melodic phrasing and rootsy versatility are the perfect attributes to masterfully weave their way into the fabric of the Grand Marquis sound.

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    Ben Ruth  upright bass, sousaphone, backing vocals


    A Kansas City native, Ben has played bass in several groups, including the orchestra at UMKC. That technical background melded with a penchant for rock & roll. He has honed the slapping rhythmic style into a frenetic art form, lays down a dexterous bass groove and is a solid improvisor. While in the band he picked up the sousaphone and has quickly become adept at adding his driving energy to this early jazz instrument. Ben's singing makes him a "triple threat," adding just the right amount of depth to the vocals and solidifying the group's distinct sound.

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    Lisa McKenzie     drums, washboard

    Lisa has been playing drums since her teens, drawing on a background of diverse musical styles, and has amassed a wealth of experience playing all over the country in the past several years in various groups before founding the Grand Marquis. She has studied percussion not only locally but in Ghana, and that African influence is evident in her trademark sound.  A multi-faceted percussionist, Lisa has included washboard and marimba in her repertoire.  She is an integral asset, playing driving, energetic rhythm always in the pocket. Definitely the "lady who swings the band!"

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    History of the Grand Marquis

    The year 1998 birthed a new sound out of the spirit of Kansas City jazz. The Grand Marquis, then a quartet, consisted of Carl “Slim” Hanson (guitar & lead vocals), Bryan Redmond (saxophones), Andy Dondzila (upright bass), and Lisa McKenzie (drums). The initial sound was a healthy mix of late 1940's/early 1950's rhythm & blues, rockabilly and hot jazz styles that served as a jumping off point for their original music. 1999 brought the addition of bassist and longtime friend, Ben Ruth, adding the raw, driving force that helped cultivate and develop the sound. 
    The year 2000 was celebrated by the release of their debut CD release “Burlesk” which has definite rockabilly roots and raw energy. Trumpeter Chad Boydston was added to the lineup early in 2002, putting the icing on the cake for the now-quintet’s second CD entitled “Le Chant Du Diable Bleu,” featuring some moodier material alongside uptempo romps. 
    The Grand Marquis underwent a transformation in August of 2003Sammy Nicolier came into the fold as guitarist, while Redmond’s baritone voice replaced the departing Hanson on lead vocals.
    Their new more refined style shines through in their 
    eponymous third CD release from 2004, more inspired by the classic Kansas City jazz sound than anything. The band’s versatility and road legs were strengthened following their nationwide 30-city tour that year; McKenzie added washboard and marimba to her arsenal, while Ruth picked up the sousaphone.
    In 2005 and 2006 the Grand Marquis continued building a solid reputation in Kansas City and the midwest. They earned accolades as ‘Best Jazz Band’ in consecutive years from their KC fans by playing hundreds of live shows, concerts and events, while working on new material and honing their sound.
    In late 2007 the Grand Marquis released “One More Day,” which showcased their musical versatility and maturity. Myles Gorham then replaced Nicolier on guitar in October 2008 and stayed on through February 2010, making way for current guitarist Ryan Wurtz.
    Not long after completing the current lineup in 2010they released their latest cd “Hold On To Me” which highlights their trademark Kansas City style with some New Orleans flair. That fall they won the Topeka, Kansas region of the International Blues Challenge, earning them a trip to compete in the national Memphis, TN competition comprised of nearly 200 bands where they placed in the Finals (top 8).
    While in Memphis they recorded at the legendary Sun Studio, and in early 2012 released "The Sun Session," a 7" 45rpm vinyl record and enhanced cd package that highlights the fruits of this session.

    Today the Grand Marquis continue to shine as one of the hardest working bands in the region; carrying on the tradition, making their own brand of jumpin’ blues and hot swinging jazz. Ever ubiquitous in the Kansas City music scene, the Grand Marquis are finding themselves in demand around the Midwest and Midsouth as an innovative, versatile and thoroughly entertaining band. The future is indeed bright!